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(The frontispiece to Sir Francis Bacon's Instauratio magna (Great Instauration) of 1620 depicts a ship sailing through two classical columns into an open sea; it symbolizes moving beyond the limits of classical (i.e., ancient Greek) scholarship into a real)
 
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The frontispiece to Sir Francis Bacon's Instauratio magna (Great Instauration) of 1620 depicts a ship sailing through two classical columns into an open sea; it symbolizes moving beyond the limits of classical (i.e., ancient Greek) scholarship into a realm of potential unlimited natural knowledge.
The frontispiece to Sir Francis Bacon's Instauratio magna (Great Instauration) of 1620 depicts a ship sailing through two classical columns into an open sea; it symbolizes moving beyond the limits of classical (i.e., ancient Greek) scholarship into a realm of potential unlimited natural knowledge.


Source: http://hsci.cas.ou.edu/digitized/17thCentury/Bacon/1620/Bacon-1620-0fp-image/10in/
Source: https://repository.ou.edu/uuid/81487d61-c3dd-5da1-becd-7e0015dbc89c

Aktuelle Version vom 14. Mai 2025, 13:27 Uhr

The frontispiece to Sir Francis Bacon's Instauratio magna (Great Instauration) of 1620 depicts a ship sailing through two classical columns into an open sea; it symbolizes moving beyond the limits of classical (i.e., ancient Greek) scholarship into a realm of potential unlimited natural knowledge.

Source: https://repository.ou.edu/uuid/81487d61-c3dd-5da1-becd-7e0015dbc89c

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aktuell17:29, 21. Feb. 2010Vorschaubild der Version vom 17:29, 21. Feb. 2010396 × 600 (102 KB)Jens Rusch (Diskussion | Beiträge)The frontispiece to Sir Francis Bacon's Instauratio magna (Great Instauration) of 1620 depicts a ship sailing through two classical columns into an open sea; it symbolizes moving beyond the limits of classical (i.e., ancient Greek) scholarship into a real

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